Early one morning in March the dawn came with a roaring wind, sleety snow drove down over the hill, the house creaked and complained in every clapboard. A blind of one of the upper windows, wrenched loose from its fastenings, was driven shut with such force that it broke a window pane. When I rushed up to discover the meaning of the clatter and to repair the damage, I found the floor covered with peculiar long fragments of glass—the pane having been broken inward from the centre.
“Just what I have wanted,” I said to myself.
I selected a few of the best pieces and so eager was
I to try them that
I got out my axe-helve before breakfast and sat scratching
away when
Harriet came down.
Nothing equals a bit of broken glass for putting on the final perfect touch to a work of art like an axe-helve. Nothing will so beautifully and delicately trim out the curves of the throat or give a smoother turn to the waist. So with care and an indescribable affection, I added the final touches, trimming the helve until it exactly fitted my hand. Often and often I tried it in pantomime, swinging nobly in the centre of the sitting-room (avoiding the lamp), attentive to the feel of my hand as it ran along the helve. I rubbed it down with fine sandpaper until it fairly shone with whiteness. Then I borrowed a red flannel cloth of Harriet and having added a few drops—not too much—of boiled oil, I rubbed the helve for all I was worth. This I continued for upward of an hour. At that time the axe-helve had taken on a yellowish shade, very clear and beautiful.
I do not think I could have been prouder if I had carved a statue or built a parthenon. I was consumed with vanity; but I set the new helve in the corner with the appearance of utter unconcern.
“There,” I remarked, “it’s finished.”
I watched Harriet out of the corner of my eye: she made as if to speak and then held silent.
That evening friend Horace came in. I was glad to see him. Horace is or was a famous chopper. I placed him at the fireplace where his eye, sooner or later, must fall upon my axe-helve. Oh, I worked out my designs! Presently he saw the helve, picked it up at once and turned it over in his hands. I had a suffocating, not unhumorous, sense of self-consciousness. I know how a poet must feel at hearing his first poem read aloud by some other person who does not know its authorship. I suffer and thrill with the novelist who sees a stranger purchase his book in a book-shop. I felt as though I stood that moment before the Great Judge.
Horace “hefted” it and balanced it, and squinted along it; he rubbed it with his thumb, he rested one end of it on the floor and sprung it roughly.
“David,” he said severely, “where did you git this?”
Once when I was a boy I came home with my hair wet. My father asked:
“David, have you been swimming?”