I come next to speak of the palace of the late king Fanfur. His predecessors caused a large park to be inclosed with high walls, ten miles in circuit[10], and divided within into three parts. That in the middle was entered by a gate leading to a range of large galleries or halls, whose roofs were sustained by pillars finely wrought and painted, and richly adorned with gold and azure. The smallest of these galleries was that nearest the gate of entrance, and they gradually became larger and fairer in succession, the most sumptuous being at the farthest end. The walls of all these apartments were elegantly painted with the portraits and histories of the former kings. Every year, on certain holidays dedicated to the idols, Fanfur used to hold open court, on which occasion he feasted his chief lords, the principal merchants, and rich artificers of Quinsai, 10,000 at a time in these halls, the feasts continuing for ten or twelve successive days, with incredible magnificence, every guest using his utmost endeavours to appear in the most pompous dresses. On one side of this magnificent range of galleries, there was a wall dividing it from a great cloistered court, having a terrace all round, set with pillars, communicating with which were the chambers of the king and queen, all curiously wrought, carved, gilded, and painted with the utmost splendour and magnificence. From this cloister, a covered gallery, six paces wide, extended a great length all the way to the lake; and on each side of this gallery there were ten courts, answering to each other like