“You have not seen the Orange Room, Miss Dorothea?”
“Not since the decorations began.” She paused and uttered the thought uppermost in her mind. “You must forgive my brother; I am sorry he spoke as he did just now.”
“Then he is more than forgiven.”
“He did not consider.”
“Dear Mademoiselle, your brother is an excellent fellow, and not a bit more popular than he deserves to be. Of his kindness to us prisoners— I speak not of us privileged ones, but of our poorer brothers—I could name a thousand acts; and acts say more than words.”
Dorothea pursed her lips. “I am not sure. I think a woman would ask for words too.”
“Yes, that is so,” he caught her up. “But don’t you see that we prisoners are—forgive me—just like women? I mean, we have learned that we are weak. For a man that is no easy lesson, Mademoiselle. I myself learned it hardly. And seeing your brother admired by all, so strong and prosperous and confident, can I ask that he should feel as we who have forfeited these things?”
Before she could find a reply he had harked back to the Orange Room.
“You have not seen it since the decorations began? Then I have a mind to run and ask your brother to forbid your coming—to command you to wait until Wednesday. We are in a horrible mess, I warn you, and smell of turpentine most potently. But we shall be ready for the ball, and then—! It will be prodigious. You do not know that we have a genius at work on the painting?”
“My brother tells me the designs are extraordinarily clever.”
“They are more than clever, you will allow. The artist I discovered myself—a young man named Charles Raoul. He comes from the South, a little below Avignon, and of good family—in some respects.” The General paused and took snuff. “He enlisted at eighteen and has seen service; he tells me he was wounded at Austerlitz. Unhappily he was shipped, about two years ago, on board the Thetis frigate, with a detachment and stores for Martinique. The Thetis had scarcely left L’Orient before she fell in with one of your frigates, whose name escapes me; and here he is in Axcester. He has rich relatives, but for some reason or other they decline to support him; and yet he seems a gentleman. He picks up a few shillings by painting portraits; but you English are shy of sitting—I wonder why? And we—well, I suppose we prefer to wait till our faces grow happier.”
Dorothea had it on the tip of her tongue to ask how the General had discovered this genius; but the ring in his voice gave her pause. Twice in the course of their short walk he had shown feeling; and she wondered at it, having hitherto regarded him as a cynical old fellow with a wit which cracked himself and the world like two dry nuts for the jest of their shrivelled kernels. She did not, know that a kind word of hers had unlocked his heart; and before she could recall her question they had reached the stable-yard of “The Dogs.” And after stabling Mercury it was but a step across to the inn.