studied Latin when only eight years of age. Her
father, it would seem, was a very sensible man, and
sought to develop the peculiar talents which each
of his daughters possessed, without the usual partiality
of parents, who are apt to mistake inclination for
genius. Three of the girls had an aptitude for
teaching, and opened a boarding-school in Bristol
when the oldest was only twenty. The school was
a great success, and soon became fashionable, and ultimately
famous. To this school the early labors of Hannah
More were devoted; and she soon attracted attention
by her accomplishments, especially in the modern languages,
in which she conversed with great accuracy and facility.
But her talents were more remarkable than her accomplishments;
and eminent men sought her society and friendship,
who in turn introduced her to their own circle of
friends, by all of whom she was admired. Thus
she gradually came to know the celebrated Dean Tucker
of Gloucester cathedral; Ferguson the astronomer, then
lecturing at Bristol; the elder Sheridan, also giving
lectures on oratory in the same city; Garrick, on
the eve of his retirement from the stage; Dr. Johnson,
Goldsmith, Reynolds, Mrs. Montagu, in whose
salon
the most distinguished men of the age assembled as
the headquarters of fashionable society,—Edmund
Burke, then member for Bristol in the House of Commons;
Gibbon; Alderman Cadell, the great publisher; Bishop
Porteus; Rev. John Newton; and Sir James Stonehouse,
an eminent physician. With all these stars she
was on intimate terms, visiting them at their houses,
received by them all as more than an equal,—for
she was not only beautiful and witty, but had earned
considerable reputation for her poetry. Garrick
particularly admired her as a woman of genius, and
performed one of her plays ("Percy”) twenty successive
nights at Drury Lane, writing himself both the prologue
and the epilogue. It must be borne in mind that
when first admitted to the choicest society of London,—at
the houses not merely of literary men, but of great
statesmen and nobles like Lord Camden, Lord Spencer,
the Duke of Newcastle. Lord Pembroke, Lord Granville,
and others,—she was teaching in a girls’
school at Bristol, and was a young lady under thirty
years of age.
It was as a literary woman—when literary
women were not so numerous or ambitious as they now
are—that Hannah More had the entree
into the best society under the patronage of the greatest
writers of the age. She was a literary lion before
she was twenty-five. She attracted the attention
of Sheridan by her verses when she was scarcely eighteen.
Her “Search after Happiness” went through
six editions before the year 1775. Her tragedy
of “Percy” was translated into French and
German before she was thirty; and she realized from
the sale of it L600. “The Fatal Falsehood”
was also much admired, but did not meet the same success,
being cruelly attacked by envious rivals. Her
“Bas Bleu” was praised by Johnson in unmeasured
terms. It was for her poetry that she was best
known from 1775 to 1785, the period when she lived
in the fashionable and literary world, and which she
adorned by her wit and brilliant conversation,—not
exactly a queen of society, since she did not set up
a salon, but was only an honored visitor at
the houses of the great; a brilliant and beautiful
woman, whom everybody wished to know.