that an official in an important post was sure of
making a fortune in a short time. With such an
idolatry of money, all trades and professions which
were not favorable to its accumulation fell into disrepute,
while those who administered to the pleasures of a
rich man were held in honor. Cooks, buffoons,
and dancers received the consideration which artists
and philosophers enjoyed at Athens in the days of
Pericles. But artists and scholars were very few
indeed in the more degenerate days of the empire; nor
would they have had influence. The wit of a Petronius,
the ridicule of a Martial, the bitter sarcasm of a
Juvenal were lost on a people abandoned to frivolous
gossip and demoralizing excesses. The haughty
scorn with which a sensual beauty, living on the smiles
and purse of a fortunate glutton, would pass in her
gilded chariot some of the impoverished descendants
of the great Camillus might have provoked a smile,
had any one been found, even a neglected poet, to
give them countenance and sympathy. But, alas!
everybody worshipped at the shrine of Mammon; everybody
was valued for what he
had, rather than for
what he
was; and life was prized, not for those
pleasures which are cheap and free as heaven, not for
quiet tastes and rich affections and generous sympathies,—the
glorious certitudes of love, esteem, and friendship,
which, “be they what they may, are yet the fountain-life
of all our day,”—but for the gratification
of depraved and expensive tastes, of those short-lived
enjoyments which ended with the decay of appetite and
the
ennui of realized expectation,—all
of the earth, earthy; making a wreck of the divine
image which was made for God and heaven, preparing
the way for a most fearful retribution, and producing
on contemplative minds a sadness allied with despair,
driving them to caves and solitudes, and making death
the relief from sorrow.
The fourteenth satire of Juvenal is directed mainly
to the universal passion for gain and the demoralizing
vices it brings in its train, which made Rome a Vanity
Fair and even a Pandemonium.
The old Greek philosophers gloried in their poverty;
but poverty was the greatest reproach to a Roman.
“In exact proportion to the sum of money a man
keeps in his chest,” says Juvenal, “is
the credit given to his oath. And the first question
ever asked of a man is in reference to his income,
rather than his character. How many slaves does
he keep; how many acres does he own; what dishes are
his table spread with?—these are the universal
inquiries. Poverty, bitter though it be, has no
sharper sting than this,—that it makes men
ridiculous. Who was ever allowed at Borne to
become a son-in-law, if his estate was inferior?
What poor man’s name appears in any will?”
And with this reproach of poverty there were no means
to escape from it. Nor was there alleviation.
A man was regarded as a fool who gave anything except
to the rich. Charity and benevolence were unknown
virtues. The sick and the miserable were left
to die unlamented and unknown. Prosperity and
success, no matter by what means they were purchased,
secured reverence and influence.