The last of Warton’s odes was written in his last illness, and performed three days after his death.  Appositely enough, it was an invocation to Health, meriting more than ordinary praise for eloquent fervor.  Warton died May 21st, 1790.  The laurel was vacant for a month, when Henry James Pye was gazetted.  There was hardly a hungry placeman in London who had not as just pretensions to the honor.  What poetical gifts he had displayed had been in school or college exercises.  His real claims consisted in having spent a fortune in electioneering for ministers; and these claims being pressed with unusual urgency at the moment of Warton’s death, he was offered the Laureateship as satisfaction in part.[19] He eagerly accepted it, and received the balance two years later in the shape of a commission as Police Magistrate of Middlesex.  Thereafter, like Henry Fielding, or Gilbert A’Beckett, he divided his days between penal law and polite literature.  His version of the “Poetics” of Aristotle, with illustrations drawn liberally from recent authors, was perhaps begotten of a natural wish to satisfy the public that qualifications for the laurel were not wholly wanting.  A barren devotion to the drama was always his foible.  It was freely indulged.  With few exceptions, his plays were affairs of partnership with Samuel James Arnold, a writer of ephemeral popularity, whose tale of “The Haunted Island” was wildly admired by readers of the intensely romantic school, but whose tragedies, melodramas, comedies, farces, operas, are now forgotten.  In addition to these auxiliary labors, which ripened yearly, Pye tried his hand at an epic,—­the subject, King Alfred,—­the plot and treatment not greatly differing from those which Blackmore brought to the same enterprise.  The poem passed at once from the bookshop to the trunk-maker,—­not, however, before an American publisher was found daring enough to reprint it.  There are also to be mentioned translations from Pindar, Horace, and other classics, for Sharpe’s edition of the British Poets, a collection to which he lent editorial aid.  “Poet Pye"[20] was fortunate in escaping contemporary wit and satire.  Gifford alluded to him, but Gifford’s Toryism was security that no Tory Court-Poet would be roughly handled.  Byron passed him in silence.  The Smiths treated him as respectfully as they treated anybody.  Moore’s wit at the expense of the Regent and his courtiers had only found vent in the “Two-Penny Post-Bag” when Pye was gathered to his predecessors.

That calamity occurred in August, 1813.  With it ended the era of birthday songs and New-Year’s verses.  The King was mad; his nativity was therefore hardly a rational topic of rejoicing.  The Prince Regent had no taste for the solemn inanity of stipulated ode, the performance of which only served to render insufferably tedious the services of the two occasions in the year when imperative custom demanded his attendance at the Chapel.  Consultation was had with John