Many years later one of the great artists of Venice, wandering about at sunset with an elusive vision of some wonderful picture stirring impatience within his soul, found a maiden sitting under the vine-covered pergola of the Traghetto San Maurizio, where she was waiting for her brother-in-law, who would presently touch at this ferry on his homeward way to Murano.  A little child lay asleep in her arms, his blond head, which pitying Nature had kept beautiful, resting against her breast; the meagre body was hidden beneath the folds of her mantle, which, in the graceful fashion of those days, passed over her head and fell below the knees; her face, very beautiful and tender, was bent over the little sufferer, who had forgotten his pain in the weariness it had brought him as a boon.

The delicate purple bells of the vine upon the trellis stirred in the evening breeze, making a shimmer of perfume and color about her, like a suggestion of an aureole; and in the arbor, as in one of those homely shrines which everywhere make part of the Venetian life, she seemed aloof as some ideal of an earlier Christian age from the restless, voluble group upon the tiny quay.

There were facchini—­those doers of nondescript smallest services, quarreling amiably to pass the time, springing forward for custom as the gondolas neared the steps; gransieri—­the licensed traghetto beggars, ragged and picturesque, pushing past with their long, crooked poles, under pretence of drawing the gondolas to shore; one or two women from the islands, filling the moments with swift, declamatory speech until the gondola of Giambattista or of Jacopo should close the colloquy; an older peasant, tranquilly kneeling to the Madonna of the traghetto, amid the clatter, while steaming greasy odors from her housewifely basket of Venetian dainties mount slowly, like some travesty of incense, and cloud the humble shrine.  Two or three comers swell the group from the recesses of the dark little shop behind, for no other reason than that life is pleasant where so much is going on; and some maiden, into whose life a dawning romance is just creeping, confesses it with a brighter color as she hangs, half-timidly, her bunch of tinselled flowers before the red lamp of the good little Madonna of this traghetto benedetto, whose gondoliers are the bravest in all Venice!  Meanwhile the boatmen, coming, going, or waiting, keep up a lively chatter.

And under the trellis, as if far removed, the sleeping child and Marina of Murano bending over him a face glorified with its story of love and compassion, are like a living Rafaello!

“The bambino is beautiful,” said the artist, drawing nearer, but speaking reverently, for he knew that he had found the face he had been seeking for his Madonna for the altar of the Servi.  “What doth he like, your little one?  For I am a friend to the bambini, and the poverina hath pain to bear.”