The Principles of Success in Literature eBook

This eBook from the Gutenberg Project consists of approximately 161 pages of information about The Principles of Success in Literature.

The Principles of Success in Literature eBook

This eBook from the Gutenberg Project consists of approximately 161 pages of information about The Principles of Success in Literature.

Tested by the Intellect and the Feelings, the law of Sequence is seen to be a curious compound of the two.  If we isolate these elements for the purposes of exposition, we shall find that the principle of the first is much simpler and more easy of obedience than the principle of the second.  It may be thus stated:—­

The constituent elements of the conception expressed in the sentence and the paragraph should be arranged in strict correspondence with an inductive or a deductive progression.

All exposition, like all research, is either inductive or deductive.  It groups particulars so as to lead up to a general conception which embraces them all, but which could not be fully understood until they had been estimated; or else it starts from some general conception, already familar to the mind, and as it moves along, casts its light upon numerous particulars, which are thus shown to be related to it, but which without that light would have been overlooked.

If the reader will meditate on that brief statement of the principle, he will, I think, find it explain many doubtful points.  Let me merely notice one, namely, the dispute as to whether the direct or the indirect style should be preferred.  Some writers insist, and others practise the precept without insistance, that the proposition should be stated first, and all its qualifications as well as its evidences be made to follow; others maintain that the proposition should be made to grow up step by step with all its evidences and qualifications in their due order, and the conclusion disclose itself as crowning the whole.  Are not both methods right under different circumstances?  If my object is to convince you of a general truth, or to impress you with a feeling, which you are not already prepared to accept, it is obvious that the most effective method is the inductive, which leads your mind upon a culminating wave of evidence or emotion to the very point I aim at.  But the deductive method is best when I wish to direct the light of familiar truths and roused emotions, upon new particulars, or upon details in unsuspected relation to those truths; and when I wish the attention to be absorbed by these particulars which are of interest in themselves, not upon the general truths which are of no present interest except in as far as they light up these details.  A growing thought requires the inductive exposition, an applied thought the deductive.

This principle, which is of very wide application, is subject to two important qualifications—­one pressed on it by the necessities of Climax and Variety, the other by the feebleness of memory, which cannot keep a long hold of details unless their significance is apprehended; so that a paragraph of suspended meaning should never be long, and when the necessities of the case bring together numerous particulars in evidence of the conclusion, they should be so arranged as to have culminating force:  one clause leading up to another, and throwing its impetus into it, instead of being linked on to another, and dragging the mind down with its weight.

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The Principles of Success in Literature from Project Gutenberg. Public domain.