Stafford nodded, with his eyes on the stream.

“I should give the nags some gruel, Pottinger, and put an extra coat on them:  it’ll be cold to-night.  Ta, ta, Howard!  Tell ’em to get a nice dinner; I’ll be there in time for ’em to cook the fish; but don’t wait if I should be late—­say half past seven.”

“I promise you I won’t,” retorted Howard, fervently.  “And I am one of those men who never break a promise—­unless it’s inconvenient.”

The phaeton drove on, Stafford went down to the stream, put up his rod, chose a fly as carefully as if the fate of a kingdom depended on it, and began to fish.

There is this great advantage in the art of fly-fishing:  that while you are engaged in it you can think of nothing else:  it is as absorbing as love or scarlet fever.  Stafford worked his fly steadily and systematically, with a light and long “cast” which had made him famous with the brethren of the craft, and presently he landed a glittering trout, which, though only a pound in weight, was valued by Stafford at many a pound in gold.  The fish began to rise freely, and he was so engrossed in the sport that he did not notice that Howard’s prophecy had come true, that the mist had swept over the landscape again, and that it was raining, if not exactly cats and dogs, yet hard enough to make even the opposite bank a blur in his vision.

But Stafford was utterly indifferent to rain and mist while the trout were rising, and his basket was half full before he looked around him.  It is wonderful, when you are fishing, how great a distance you can walk without noticing it.  He had followed the winding course of the stream until it had left the road far behind and struck into a valley, the wildness, the remoteness of which was almost awe-inspiring; and he stood still for a moment and looked up at the sky into which the tall, sharp peaks of the hills lost themselves.  The stream, broken by huge boulders, rumbled with a soft roar which was the only sound that broke the stillness.  It was the silence, a profound stillness, which makes one feel as if one has wandered into an unknown world newly made and as yet untouched by the foot of man, unsullied by his presence.

Stafford could not have quoted a verse of poetry to save his life; it wasn’t in his line; he could ride straight, was a first-rate shot, waltzed like an angel, and so far his dictionary did not contain the word “fear;” but he knew nothing of poetry or art, and only liked some kinds of music, amongst which, it is to be feared, “Soldiers of the Queen,” and the now much-abused chorus from “Faust,” ranked high in his estimation.  He was just simply a healthy young Englishman, clean-limbed and clean-minded, with a tremendous appetite for pleasure, a magnificent frame, and a heart as light and buoyant as a cork; therefore, though an artist or a poet would have been thrilled to the marrow by the wild grandeur of the secluded valley and the grimly towering hills, and would have longed to put them on canvas or into verse, Stafford only felt suddenly grave, and as if it were playing it low down to throw an artificial fly, even of the best make, in such a spot.