His Arcadia is a book full of wisdom and beauty. None of his writings were printed in his lifetime; but the Arcadia was for many years after his death one of the most popular books in the country. His prose, as prose, is not equal to his friend Raleigh’s, being less condensed and stately. It is too full of fancy in thought and freak in rhetoric to find now-a-days more than a very limited number of readers; and a good deal of the verse that is set in it, is obscure and uninteresting, partly from some false notions of poetic composition which he and his friend Spenser entertained when young; but there is often an exquisite art in his other poems.
The first I shall transcribe is a sonnet, to which the Latin words printed below it might be prefixed as a title: Splendidis longum valedico nugis.
A LONG FAREWELL TO GLITTERING TRIFLES.
Leave me, O love, which reachest but to
dust;
And thou, my mind, aspire
to higher things;
Grow rich in that which never taketh rust:
What ever fades but fading
pleasure brings.
Draw in thy beams, and humble all thy
might
To that sweet yoke where lasting
freedoms be;
Which breaks the clouds, and opens forth
the light
That doth both shine and give
us sight to see.
Oh take fast hold; let that light be thy
guide,
In this small course which
birth draws out to death;
And think how evil[63] becometh him to
slide
Who seeketh heaven, and comes
of heavenly breath.
Then farewell,
world; thy uttermost I see:
Eternal love,
maintain thy life in me.
Before turning to the treasury of his noblest verse, I shall give six lines from a poem in the Arcadia—chiefly for the sake of instancing what great questions those mighty men delighted in:
What essence destiny hath; if fortune
be or no;
Whence our immortal souls to mortal earth
do stow[64]:
What life it is, and how that all these
lives do gather,
With outward maker’s force, or like
an inward father.
Such thoughts, me thought, I thought,
and strained my single mind,
Then void of nearer cares, the depth of
things to find.
Lord Bacon was not the only one, in such an age, to think upon the mighty relations of physics and metaphysics, or, as Sidney would say, “of naturall and supernaturall philosophic.” For a man to do his best, he must be upheld, even in his speculations, by those around him.
In the specimen just given, we find that our religious poetry has gone down into the deeps. There are indications of such a tendency in the older times, but neither then were the questions so articulate, nor were the questioners so troubled for an answer. The alternative expressed in the middle couplet seems to me the most imperative of all questions—both for the individual and for the church: Is man fashioned by the hands of God, as a potter fashioneth his vessel; or do we indeed come forth from his heart? Is power or love the making might of the universe? He who answers this question aright possesses the key to all righteous questions.