From this moment all interest in those who formed the vulgar mass was lost. Every eye was turned towards the front, where the strife increased at each stroke of the oar, and where the issue began to assume a new and doubtful character. The exertions of the waterman of Fusina were seemingly redoubled, though his boat went no faster. The gondola of Bartolomeo shot past him; it was followed by those of Gino and the masked gondolier, while not a cry betrayed the breathless interest of the multitude. But when the boat of Antonio also swept ahead, there arose such a hum of voices as escapes a throng when a sudden and violent change of feeling is produced in their wayward sentiments. Enrico was frantic with the disgrace. He urged every power of his frame to avert the dishonor, with the desperate energy of an Italian, and then he cast himself into the bottom of the gondola, tearing his hair and weeping in agony. His example was followed by those in the rear, though with more governed feelings, for they shot aside among the boats which lined the canal, and were lost to view.
From this open and unexpected abandonment of the struggle, the spectators got the surest evidence of its desperate character. But as a man has little sympathy for the unfortunate when his feelings are excited by competition, the defeated were quickly forgotten. The name of Bartolomeo was borne high upon the winds by a thousand voices, and his fellows of the Piazzetta and the Lido called upon him, aloud, to die for the honor of their craft. Well did the sturdy gondolier answer to their wishes, for palace after palace was left behind, and no further change was made in the relative positions of the boats. But, like his predecessor, the leader redoubled his efforts with a diminished effect, and Venice had the mortification of seeing a stranger leading one of the most brilliant of her regattas. Bartolomeo no sooner lost place, than Gino, the masker, and the despised Antonio, in turn, shot by, leaving him who had so lately been first in the race, the last. He did not, however, relinquish the strife, but continued to struggle with the energy of one who merited a better fortune.
When this unexpected and entirely new character was given to the contest, there still remained a broad sheet of water between the advancing gondolas and the goal. Gino led, and with many favorable symptoms of his being able to maintain his advantage. He was encouraged by the shouts of the multitude, who now forgot his Calabrian origin in his success, while many of the serving-men of his master cheered him on by name. All would not do. The masked waterman, for the first time, threw the grandeur of his skill and force into the oar. The ashen instrument bent to the power of an arm whose strength appeared to increase at will, and the movements of his body became rapid as the leaps of the greyhound. The pliant gondola obeyed, and amid a shout which passed from the Piazzetta to the Rialto, it glided ahead.