“Thou sayest true, Jacopo:  the truth is never in greater danger, than when whole communities lend themselves to the vicious deception of seemliness, and without truth there is no virtue.  This it is to substitute profession for practice—­to use the altar for a worldly purpose—­and to bestow power without any other responsibility than that which is exacted by the selfishness of caste!  Jacopo—­poor Jacopo! thou shalt be my servitor—­I am lord of my own seignories, and once rid of this specious Republic, I charge myself with the care of thy safety and fortunes.  Be at peace as respects thy conscience:  I have interest near the Holy See, and thou shalt not want absolution!”

The gratitude of the Bravo was more vivid in feeling than in expression.  He kissed the hand of Don Camillo, but it was with a reservation of self-respect that belonged to the character of the man.

“A system like this of Venice,” continued the musing noble, “leaves none of us masters of our own acts.  The wiles of such a combination are stronger than the will.  It cloaks its offences against right in a thousand specious forms, and it enlists the support of every man under the pretence of a sacrifice for the common good.  We often fancy ourselves simple dealers in some justifiable state intrigue, when in truth we are deep in sin.  Falsehood is the parent of all crimes, and in no case has it a progeny so numerous as that in which its own birth is derived from the state.  I fear I may have made sacrifices to this treacherous influence, I could wish forgotten.”

Though Don Camillo soliloquized, rather than addressed his companion, it was evident, by the train of his thoughts, that the narrative of Jacopo had awakened disagreeable reflections on the manner in which he had pushed his own claims with the Senate.  Perhaps he felt the necessity of some apology to one who, though so much his inferior in rank, was so competent to appreciate his conduct, and who had just denounced, in the strongest language, his own fatal subserviency to the arts of that irresponsible and meretricious body.

Jacopo uttered a few words of a general nature, but such as had a tendency to quiet the uneasiness of his companion; after which, with a readiness that proved him qualified for the many delicate missions with which he had been charged, he ingeniously turned the discourse to the recent abduction of Donna Violetta, with the offer of rendering his new employer all the services in his power to regain his bride.

“That thou mayest know all thou hast undertaken,” rejoined Don Camillo, “listen, Jacopo, and I will conceal nothing from thy shrewdness.”

The Duke of Sant’ Agata now briefly, but explicitly, laid bare to his companion all his own views and measures with respect to her he loved, and all those events with which the reader has already become acquainted.

The Bravo gave great attention to the minutest parts of the detail, and more than once, as the other proceeded, he smiled to himself, like a man who was able to trace the secret means by which this or that intrigue had been effected.  The whole was just related, when the sound of a footstep announced the return of Gino.