Mathieu had reached this stage in his reflections when his thoughts were diverted by several street hawkers who, in selling the last edition of an evening print, announced a “drawing” of the lottery stock of some enterprise launched by the Credit National. And then he suddenly recalled the Moranges in their dining-room, and heard them recapitulate their dream of making a big fortune as soon as the accountant should have secured a post in one of the big banking establishments, where the principals raise men of value to the highest posts. Those Moranges lived in everlasting dread of seeing their daughter marry a needy petty clerk; succumbing to that irresistible fever which, in a democracy ravaged by political equality and economic inequality, impels every one to climb higher up the social ladder. Envy consumed them at the thought of the luxury of others; they plunged into debt in order that they might imitate from afar the elegance of the upper class, and all their natural honesty and good nature was poisoned by the insanity born of ambitious pride. And here again but one child was permissible, lest they should be embarrassed, delayed, forever impeded in the attainment of the future they coveted.
A crowd of people now barred Mathieu’s way, and he perceived that he was near the theatre, where a first performance was taking place that evening. It was a theatre where free farcical pieces were produced, and on its walls were posted huge portraits of its “star,” a carroty wench with a long flat figure, destitute of all womanliness, and seemingly symbolical of perversity. Passers-by stopped to gaze at the bills, the vilest remarks were heard, and Mathieu remembered that the Seguins and Santerre were inside the house, laughing at the piece, which was of so filthy a nature that the spectators at the dress rehearsal, though they were by no means over-nice in such matters, had expressed their disgust by almost wrecking the auditorium. And while the Seguins were gloating over this horror, yonder, at their house in the Avenue d’Antin, Celeste had just put the children, Gaston and Lucie, to bed, and had then hastily returned to the kitchen, where a friend, Madame Menoux, who kept a little haberdasher’s shop in the neighborhood, awaited her. Gaston, having been given some wine to drink, was already asleep; but Lucie, who again felt sick, lay shivering in her bed, not daring to call Celeste, lest the servant, who did not like to be disturbed, should ill-treat her. And, at two o’clock in the morning, after offering Santerre an oyster supper at a night restaurant, the Seguins would come home, their minds unhinged by the imbecile literature and art to which they had taken for fashion’s sake, vitiated yet more by the ignoble performance they had witnessed, and the base society they had elbowed at supper. They seemed to typify vice for vice’s sake, elegant vice and pessimism as a principle.
Indeed, when Mathieu tried to sum up his day, he found vice on every side, in each of the spheres with which he had come in contact. And now the examples he had witnessed filled him no longer with mere surprise; they disturbed him, they shook his beliefs, they made him doubt whether his notions of life, duty, and happiness might not after all be inaccurate.