comes broad awake the moment Volumnia ventures to leave off, and sonorously repeating her last words, begs with some displeasure to know if she finds herself fatigued.  However, Volumnia, in the course of her bird-like hopping about and pecking at papers, has alighted on a memorandum concerning herself in the event of “anything happening” to her kinsman, which is handsome compensation for an extensive course of reading and holds even the dragon Boredom at bay.

The cousins generally are rather shy of Chesney Wold in its dullness, but take to it a little in the shooting season, when guns are heard in the plantations, and a few scattered beaters and keepers wait at the old places of appointment for low-spirited twos and threes of cousins.  The debilitated cousin, more debilitated by the dreariness of the place, gets into a fearful state of depression, groaning under penitential sofa-pillows in his gunless hours and protesting that such fernal old jail’s—­nough t’sew fler up—­frever.

The only great occasions for Volumnia in this changed aspect of the place in Lincolnshire are those occasions, rare and widely separated, when something is to be done for the county or the country in the way of gracing a public ball.  Then, indeed, does the tuckered sylph come out in fairy form and proceed with joy under cousinly escort to the exhausted old assembly-room, fourteen heavy miles off, which, during three hundred and sixty-four days and nights of every ordinary year, is a kind of antipodean lumber-room full of old chairs and tables upside down.  Then, indeed, does she captivate all hearts by her condescension, by her girlish vivacity, and by her skipping about as in the days when the hideous old general with the mouth too full of teeth had not cut one of them at two guineas each.  Then does she twirl and twine, a pastoral nymph of good family, through the mazes of the dance.  Then do the swains appear with tea, with lemonade, with sandwiches, with homage.  Then is she kind and cruel, stately and unassuming, various, beautifully wilful.  Then is there a singular kind of parallel between her and the little glass chandeliers of another age embellishing that assembly-room, which, with their meagre stems, their spare little drops, their disappointing knobs where no drops are, their bare little stalks from which knobs and drops have both departed, and their little feeble prismatic twinkling, all seem Volumnias.

For the rest, Lincolnshire life to Volumnia is a vast blank of overgrown house looking out upon trees, sighing, wringing their hands, bowing their heads, and casting their tears upon the window-panes in monotonous depressions.  A labyrinth of grandeur, less the property of an old family of human beings and their ghostly likenesses than of an old family of echoings and thunderings which start out of their hundred graves at every sound and go resounding through the building.  A waste of unused passages and staircases in which to drop a comb upon a bedroom floor at night is to send a stealthy footfall on an errand through the house.  A place where few people care to go about alone, where a maid screams if an ash drops from the fire, takes to crying at all times and seasons, becomes the victim of a low disorder of the spirits, and gives warning and departs.