a sign of intelligence, and in a few minutes returned
with what seemed like a pencil or stylus and writing
materials, and with a large silver-like box of very
curious form. To one side was affixed a sort
of mouthpiece, consisting of a truncated cone expanding
into a saucer-shaped bowl. Across the wider and
outer end of the cone was stretched a membrane or
diaphragm about three inches in diameter. Into
the mouth of the bowl, two or three inches from the
diaphragm, my host spoke one by one a series of articulate
but single sounds, beginning with
a, a, aa, au,
o, oo, ou, u, y or ei (long), i (short), oi, e,
which I afterwards found to be the twelve vowels of
their language. After he had thus uttered some
forty distinct sounds, he drew from the back of the
instrument a slip of something like goldleaf, on which
as many weird curves and angular figures were traced
in crimson. Pointing to these in succession, he
repeated the sounds in order. I made out that
the figures in question represented the sounds spoken
into the instrument, and taking out my pencil, marked
under each the equivalent character of the Roman alphabet,
supplemented by some letters not admitted therein but
borrowed from other Aryan tongues. My host looked
on with some interest whilst I did this, and bent
his head as if in approval. Here then was the
alphabet of the Martial tongue—an alphabet
not arbitrary, but actually produced by the vocal
sounds it represented! The elaborate machinery
modifies the rough signs which are traced by the mere
aerial vibrations; but each character is a true physical
type, a visual image, of the spoken sound; the voice,
temper, accent, sex, of a speaker affect the phonograph,
and are recognisable in the record. The instrument
wrote, so to speak, different hands under my voice
and under Esmo’s; and those who knew him could
identify his phonogram, as my friends my manuscript.
After I had been employed for some time in fixing
these forms and the corresponding sounds in my memory,
my host advanced to the window, and opening it, led
me into the interior garden; which, as I had supposed,
was a species of central court around which the house
was built.
The construction of the house was at once apparent.
It consisted of a front portion, divided by the gallery
of which I have spoken, all the rooms on one side
thereof looking, like the chamber I first entered,
into the outer enclosure; those on the other into the
interior garden or peristyle. Beyond the latter
was a single row of chambers opening upon it, appropriated
to the ladies and children of the household. The
court was roofed over with the translucent material
of the windows. It was about 360 feet in length
by 300 in width. At either end were chambers
entirely formed of the same material as the roof, in
one of which the various birds and animals employed
either in domestic service or in agriculture, in another
the various stores of the household, were kept.
In front of these, two inclined planes of the same