If the plot of my piece, for the invention of which they so highly praised me, had been indeed my own, all would have been well; but unhappily I borrowed from a source which made my drama end far differently from what I intended it should. In the catastrophe I lost not only the name I personated in the piece, but with it my own name also; and all my rank and consequence in the world fled from me for ever.—My father presented me with a beautiful writing-desk for the use of my new authorship. My silver standish was placed upon it; a quire of gilt paper was before me. I took out a parcel of my best crow quills, and down I sate in the greatest form imaginable.
I conjecture I have no talent for invention; certain it is that when I sate down to compose my piece, no story would come into my head, but the story which Ann had so lately related to me. Many sheets were scrawled over in vain, I could think of nothing else; still the babies and the nurse were before me in all the minutiae of description Ann had given them. The costly attire of the lady-babe,—the homely garb of the cottage-infant,—the affecting address of the fond mother to her own offspring;—then the charming equivoque in the change of the children: it all looked so dramatic:—it was a play ready made to my hands. The invalid mother would form the pathetic, the silly exclamations of the servants the ludicrous, and the nurse was nature itself. It is true I had a few scruples, that it might, should it come to the knowledge of Ann, be construed into something very like a breach of confidence. But she was at home, and might never happen to hear of the subject of my piece, and if she did, why it was only making some handsome apology.—To a dependant companion, to whom I had been so very great a friend, it was not necessary to be so very particular about such a trifle.