The terror which the sight of the ghost had left upon the senses of Hamlet, he being weak and dispirited before, almost unhinged his mind, and drove him beside his reason.  And he, fearing that it would continue to have this effect, which might subject him to observation, and set his uncle upon his guard, if he suspected that he was meditating any thing against him, or that Hamlet really knew more of his father’s death than he professed, took up a strange resolution from that time to counterfeit as if he were really and truly mad; thinking that he would be less an object of suspicion when his uncle should believe him incapable of any serious project, and that his real perturbation of mind would be best covered and pass concealed under a disguise of pretended lunacy.

From this time Hamlet affected a certain wildness and strangeness in his apparel, his speech, and behaviour, and did so excellently counterfeit the madman, that the king and queen were both deceived, and not thinking his grief for his father’s death a sufficient cause to produce such a distemper, for they knew not of the appearance of the ghost, they concluded that his malady was love, and they thought they had found out the object.

Before Hamlet fell into the melancholy way which has been related, he had dearly loved a fair maid called Ophelia, the daughter of Polonius, the king’s chief counsellor in affairs of state.  He had sent her letters and rings, and made many tenders of his affection to her, and importuned her with love in honourable fashion:  and she had given belief to his vows and importunities.  But the melancholy which he fell into latterly had made him neglect her, and from the time he conceived the project of counterfeiting madness, he affected to treat her with unkindness, and a sort of rudeness; but she, good lady, rather than reproach him with being false to her, persuaded herself that it was nothing but the disease in his mind, and no settled unkindness, which had made him less observant of her than formerly; and she compared the faculties of his once noble mind and excellent understanding, impaired as they were with the deep melancholy that oppressed him, to sweet bells which in themselves are capable of most exquisite music, but when jangled out of tune, or rudely handled, produce only a harsh and unpleasing sound.

Though the rough business which Hamlet had in hand, the revenging of his father’s death upon his murderer, did not suit with the playful state of courtship, or admit of the society of so idle a passion as love now seemed to him, yet it could not hinder but that soft thoughts of his Ophelia would come between, and in one of these moments, when he thought that his treatment of this gentle lady had been unreasonably harsh, he wrote her a letter full of wild starts of passion, and in extravagant terms, such as agreed with his supposed madness, but mixed with some gentle touches of affection, which could not but shew to this honoured