Gutenberg’s invention had no immediate effect upon his world.[1] Indeed, so little enthusiasm did it arouse that while the inventor’s plans were probably evolved as early as 1438, it was not until 1454 or thereabouts that the first completed book was issued from his press.  His business partner, Faust, sold his wares in wealthy Paris without explaining that these were different from earlier hand-written books; and when their cheapness, as well as their exact similarity, was discovered, the merchant was suspected of having sold himself to the devil.  Hence probably originated the Faust legend.  Superstition, it is evident, had still an extended course to run.

It is worth noting that to sell his books Faust left Germany for Paris, and that while printing-presses multiplied but slowly in the land of their origin, the new art was instantly seized upon in Italy, was there made widest use of and pushed to its perfection.  In fact, through all the Middle Ages the Romance or semi-Teutonic peoples of Italy, France, and Spain were intellectually in advance of the more wholly Teutonic races of the North.  Many of their descendants believe half contemptuously that the difference has not even yet been overcome.

Italy at this time held clearly the intellectual supremacy of the western world, and Florence under the Medici, Cosmo and then Lorenzo, held the supremacy of Italy.[2] Not only in thought, but in art, was there an outburst brilliant beyond all earlier times.  A friend and pupil of Cosmo de’ Medici was made pope at Rome, and under the name of Nicholas V originated vast schemes for the rebuilding and beautifying of his city of ruins.[3] Modern Rome with all its beautiful churches and wonders of art rose from the hands of Nicholas and his immediate successors.  It was their idea that the city should no longer be remembered by its heathen greatness, but by its Christian splendor; that the sight of it should impress upon pilgrims not the decay of the world, but the glory and majesty of the Church.  Nicholas also continued the work of Petrarch, gathering vast stores of ancient manuscripts, refounding and practically beginning the enormous Vatican Library.  He established that alliance of the Church with the new culture of the age which for a century continued to be an honor and distinguishment to both.

In his pontificate occurred the fall of Constantinople, bringing with it the definite establishment of the Turks in Europe and the final extinction of that Roman Empire of the East which had originated with Constantine.  For this reason the date of its fall (1453) is also employed as marking the beginning of modern Europe.  It was at least the closing of the older volume, the final not undramatic exit of the last remnant of the ancient world, with its long decaying arts and arrogance, its wealth, its literature, and its law.[4]

Greek scholars fleeing from the sack of their city brought many marvellous old manuscripts to Western Europe and were eagerly welcomed by Pope Nicholas and all of Italy.  Nicholas even preached a crusade against the terrible Turks, and tried once more to rouse Europe to ancient enthusiasms.  But he failed, and died, they say, heartbroken at his helplessness.