to unite all in one whole,” so roads are made from the village of one boy to the castle of another:  the boy who has made a cardboard house unites with another who has made miniature ships from nut-shells, the house as a castle crowns the hill, and the ships float in the lake below, while the youngest brings his shepherd and sheep to graze between the mountain and the lake, and all stand and behold with pleasure and satisfaction the result of their hands.

The educative value of such play has been brought forward in modern times in Floor Games by Mr. Wells, Magic Cities by Mrs. Nesbit, and notably in Mr. Caldwell Cook’s Play City in The Play Way.

Joining together for a common purpose does not only belong to younger boys.  “What busy tumult among those older boys at the brook!  They have built canals, sluices, bridges, etc.... at each step one trespasses on the limits of another realm.  Each one claims his right as lord and maker, while he recognises the claims of others, and like States, they bind themselves by strict treaties.”

“Every town should have its own common playground for the boys.  Glorious results would come from this for the entire community.  For, at this period, games, whenever possible, are in common, and develop the feeling and desire for community, and the laws and requirements of community.  The boy tries to see himself in his companions, to weigh and measure himself by them, to know and find himself by their help.”

“It is the sense of sure and reliable power, the sense of its increase, both as an individual and as a member of the group, that fills the boy with joy during these games....  Justice, self-control, loyalty, impartiality, who could fail to catch their fragrance and that of still more delicate blossoms, forbearance, consideration, sympathy and encouragement for the weaker....  Thus the games educate the boy for life and awaken and cultivate many social and moral virtues.”

In England we have always had respect for boys’ games and more and more, especially in America, people are realising the need for play places and play leaders.  But all this was written in 1826, when for ten years Froebel had been experimenting with boys of all ages.  At Keilhau play of all kinds had an honoured place.  We read of excursions for all kinds of purposes, of Indian games out of Fenimore Cooper, and of “Homeric battles.”  It was “part of Froebel’s plan to have us work with spade and pick-axe,” and every boy had his own piece of ground where he might do what he pleased.  Ebers, being literary, constructed in his plot a bed of heather on which he lay and read or made verses.  The boys built their own stage, painted their own scenery, and in winter once a week they acted classic dramas.  Besides this, there was a large and complete puppet theatre belonging to the school.  Bookbinding and carpentry were taught, and at Christmas “the embryo cabinet-maker made boxes with locks and hinges, finished, veneered and polished.”