Gaslight Sonatas eBook

This eBook from the Gutenberg Project consists of approximately 280 pages of information about Gaslight Sonatas.

Gaslight Sonatas eBook

This eBook from the Gutenberg Project consists of approximately 280 pages of information about Gaslight Sonatas.

“Charley—­I—­You—­”

“Jess—­over here!  Quick!”

“Charley—­honey—­”

* * * * *

At eleven o’clock a small, watery moon cut through a sky that was fleecily clouded—­a swift moon that rode fast as a ship.  It rode over but did not light Squire Gerber’s one-and-a-half-storied, weathered-gray, and set-slightly-in-a-hollow house on Claxton countryside.

Three motor-cars, their engines chugging out into wide areas of stillness, stood processional at the curb.  A red hall light showed against the door-pane and two lower-story windows were widely illuminated.

Within that room of chromos and the cold horsehair smell of unaired years, silence, except for the singing of three gas-jets, had momentarily fallen, a dozen or so flushed faces, grotesquely sobered, staring through the gaseous fog, the fluttering lids of a magistrate whose lips habitually fluttered, just lifting from his book.

A hysterical catch of breath from Miss Vera de Long broke the ear-splitting silence.  She reached out, the three plumes dipping down the bare V of her back, for the limp hand of the bride.

“Gawd bless you, dearie; it’s a big night’s work!”

* * * * *

In the tallest part of St. Louis, its busiest thoroughfares inclosing it in a rectangle, the Hotel Sherman, where traveling salesmen with real alligator bags and third-finger diamonds habitually shake their first Pullman dust, rears eighteen stories up through and above an aeriality of soft-coal smoke, which fits over the rim of the city like a skull-cap.

In the Louis Quinze, gilt-bedded, gilt-framed, gilt-edged bridal-suite de luxe on the seventeenth floor, Mrs. Charley Cox sat rigid enough and in shirt-waisted incongruity on the lower curl of a gilt divan that squirmed to represent the letter S.

“Charley—­are you—­sorry?”

He wriggled out of his dust-coat, tossing it on the gilt-canopied bed and crossed to her, lifting off her red sailor.

“Now that’s a fine question for a ten-hours’ wifey to ask her hubby, ain’t it?  Am I sorry, she asks me before the wedding crowd has turned the corner.  Lord, honey, I never expected anything like you to happen to me!”

She stroked his coat-sleeve, mouthing back tears.

“Now everybody’ll say—­you’re a goner—­for sure—­marrying a—­Popular Store girl.”

“If anybody got the worst of this bargain, it’s my girl.”

“My own boy,” she said, still battling with tears.

“You drew a black sheep, honey, but I say again and again, ’Thank God, you drew one with golden fleece!’”

“That—­that’s the trouble, Charley—­there’s just no way to make a boy with money know you married him for any other reason.”

“I’m not blaming you, honey.  Lord! what have I got besides money to talk for me?”

“Lots.  Why—­like Jess says, Charley, when you get to squaring your lips and jerking up your head, there’s nothing in the world you can’t do that you set out to do.”

Copyrights
Project Gutenberg
Gaslight Sonatas from Project Gutenberg. Public domain.