[All Frederick Wiseman's films] have had as their subject a particular aspect of American society: an organization, a profession or an occupation. Model observes the world of fashion in all aspects—agencies, photographers, commercials, techniques. Here as elsewhere Wiseman aims not to present a point of view but to show his subject as it is (or as it appears to be)….

This absence of a point of view makes the film more, not less, interesting: we have all the fascination of looking into another world and none of the annoyance of being told what to think about it. Nevertheless an attitude emerges; one in which, somewhat surprisingly, everybody involved comes out quite well. The models and photographers are highly professional and treat each other with respect and patience.

If Wiseman's aim is to render the camera as much like the human eye as possible …, his camera, like the...