This section contains 6,716 words (approx. 23 pages at 300 words per page) |
SOURCE: "The Shape of Men's Lives'," in The Prose of William Carlos Williams, Wesleyan University Press, 1970, pp. 104-20.
In the following essay, Wagner surveys Williams's short fiction, relating its subjects and techniques to those of other contemporaneous writings.
Williams' short stories may have had as deep an effect on contemporary fiction as his poems have had on modern poetry. Denis Donoghue feels that "his stories will wear better than his poems, because the stories keep him rooted in the particular incident" [Connoisseurs of Chaos, 1965]. Many modern writers, ranging from Flannery O'Connor to Robert Creeley, share this view. The apparently effortless telling, the informal (and often unresolved) plot, the emphasis on character presented through salient details, and above all, the reliance on dialogue—these trademarks of a Williams' story occur repeatedly in contemporary writing. Yet mere copying of one stylistic device or another has never insured success, as many...
This section contains 6,716 words (approx. 23 pages at 300 words per page) |