This section contains 5,983 words (approx. 20 pages at 300 words per page) |
SOURCE: Simon, Robin. “Hogarth and the Popular Theatre.” Renaissance & Modern Studies 22 (1978): 13-25.
In the following essay, Simon examines Hogarth's relationship to popular theater, suggesting that the artist drew inspiration from a number of productions and, in turn, provided inspiration to various theatrical producers.
I have endeavoured to treat my subject as a dramatic writer; my picture is my stage, and men and women my players, who by means of certain actions and gestures, are to exhibit a dumb show.
I wished to compose pictures on canvas, similar to representations on the stage; and farther hope that they will be tried by the same test, and criticised by the same criterion.
[William Hogarth]
His gesticulation was so perfectly expressive of his meaning, that every motion of his hand or head, or of any part of his body, was a kind of dumb eloquence that was readily understood by the...
This section contains 5,983 words (approx. 20 pages at 300 words per page) |