SOURCE: "Home: An Interview with John Edgar Wideman," in African American Review, Vol. 26, No. 3, Fall, 1992, pp. 453-57.

In the following interview, Wideman discusses the "fictional, constructed landscapes" he created in his works.

I went to Amherst, Massachusetts, on April 23, 1992, to talk with John Edgar Wideman on the U Mass campus, where he teaches a graduate course in creative writing. Wideman's literary mapping and charting of Homewood's neighborhood streets and people indicate the complexities and paradoxes of contemporary American urban literature. In discussing his portraits of Homewood in Damballah, Hiding Place, Sent for You Yesterday, and Reuben, we explored the ways in which fictional, constructed landscapes can be read.

[Lustig:] You moved from Homewood when you were twelve, yet it's the place that you keep circling back to. I find it interesting that, despite all those years away, it's the primary place in your work, that you keep going...