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SOURCE: "The Artistry of Whittier's Margaret Smith's Journal," in Essex Institute Historical Collections, Vol. CVIII, No. 3, July, 1972, pp. 235-43.
In the following essay, Ringe contends that Whittier's major prose work, Margaret Smith's Journal in the Province of Massachusetts Bay, 1678-79, achieves artistic unity though the author's development of his narrator as a strong central consciousness in the work.
The major prose work of John Greenleaf Whittier, Margaret Smith's Journal in the Province of Massachusetts Bay, 1678-79, has evoked a critical response that has ranged from the lukewarm to the enthusiastic. Although most of the critics praise the accurate picture of colonial New England life that the book presents,1 opinions about its artistic success have varied between Whitman Bennett's view that it is only "a pleasing little effort" that should not be considered "a truly notable achievement"2 to Edward Wagenknecht's opinion that it is "one of the inexplicably neglected...
This section contains 4,039 words (approx. 14 pages at 300 words per page) |
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