This section contains 1,140 words (approx. 4 pages at 300 words per page) |
SOURCE: A review of The Heidi Chronicles, in Theatre Journal, Vol. 42, No. 1, March, 1990, pp. 107-08.
In the following review, Austin discusses characterization in The Heidi Chronicles and feminist reaction to the play. She notes that although the play has been lauded by some feminists for its focus on women, others argue that the work portrays women in traditional roles and has the potential to "become part of the system that oppresses women and so highly rewards their creative expressions when they aid in its purposes."
The Heidi Chronicles is a rare play for Broadway. Written by a woman, its central character is an unmarried professional woman. It won the Pulitzer, Tony, N.Y. Drama Critics Circle, Drama Desk, Outer Critics Circle, Hull-Warriner, and Susan Smith Blackburn awards. Ostensibly a triumph for women, Heidi is instead a problematic example of how the male-dominated production system of commercial theater maintains...
This section contains 1,140 words (approx. 4 pages at 300 words per page) |