SOURCE: “Reproducing Utopia: Charlotte Perkins Gilman and Herland,” in Studies in American Fiction, Vol. 20, No. 1, Spring, 1992, pp. 1-16.

In the following essay, Peyser argues that Gilman's utopian novel Herland, rather than being a “playful deconstruction of patriarchal thought,” remains “ground[ed in the dominant culture.”]

According to the prevailing view of Charlotte Perkins Gilman's Herland, the utopian novel suited the aims of a radical feminism by subverting the confinements of a realism dedicated to the representation of, and thus acquiescence to, a patriarchal order. Summing up this position, Susan Gubar argues that “women abused by the probable refuse it by imagining the possible in a revolutionary rejection of patriarchal culture;” “feminism imagines an alternative reality that is truly fantastic.”¹ Along these lines, Herland is seen as a sanctuary for the imagination, a place the reader can visit in order to gain a vantage point outside the prevailing culture...