This section contains 17,707 words (approx. 60 pages at 300 words per page) |
SOURCE: Warren, Roger and Stanley Wells. Introduction to Twelfth Night, or What You Will, by William Shakespeare, edited by Roger Warren and Stanley Wells, pp. 1-76. Oxford: Clarendon Press, 1994.
In the following excerpt, Warren and Wells survey Twelfth Night's setting, sources, themes, and major characters. The critics' discussion is often informed by insights gleaned from twentieth-century stagings of the play.
Twelfth Night is one of the most popular of Shakespeare's plays in the modern theatre, and its success seems to have begun early; the sole surviving reference to it during Shakespeare's lifetime is to a performance. On 2 February 1602, John Manningham, then a law student of the Middle Temple in London, wrote in his diary:
At our feast we had a play called Twelfth Night, or What You Will, much like The Comedy of Errors or Menaechmi in Plautus, but most like and near to that in Italian...
This section contains 17,707 words (approx. 60 pages at 300 words per page) |