This section contains 5,041 words (approx. 17 pages at 300 words per page) |
SOURCE: "Belonging Nowhere, Seeing Everywhere: William Trevor and the Art of Distance," in The Hollins Critic, Vol. XXX, No. 4, October, 1993, pp. 1-11.
In the following essay, Core provides an overview of Trevor's work, discussing recurring themes and Trevor's critical reception.
As a writer one doesn't belong anywhere. Fiction writers, I think, are even more outside the pale. Because society and people are our meat, one doesn't really belong in the midst of society. The great challenge in writing is always to find the universal in the local, the parochial. And to do that, one needs distance.
—William Trevor (1993)
No one has had a closer vision, or a hand at once more ironic and more tender, for the individual figure. He sees it with all its minutest signs and tricks—all its heredity of idiosyncrasies, all its particulars of weakness and strength, of ugliness and beauty, of oddity and...
This section contains 5,041 words (approx. 17 pages at 300 words per page) |