The Taming of the Shrew | Criticism

This literature criticism consists of approximately 2 pages of analysis & critique of The Taming of the Shrew.

The Taming of the Shrew | Criticism

This literature criticism consists of approximately 2 pages of analysis & critique of The Taming of the Shrew.
This section contains 488 words
(approx. 2 pages at 300 words per page)
Buy the Critical Review by Sarah Hemming

SOURCE: Hemming, Sarah. “Girls Know How to Have Fun with Shakespeare.” Financial Times (23 August 2003): 8.

In the following review of Phyllida Lloyd's 2003 Globe Theatre production of The Taming of the Shrew, Hemming contends that while Lloyd's all-female production “sacrifices subtlety and depth,” it “relishes the broad comedy of the play.”

It was perhaps asking too much of fate to put a man at the helm of the Globe's all-female production of The Taming of the Shrew, Shakespeare's notorious, apparently misogynist comedy. At all events, it was not to be. The original director, Barry Kyle, departed during rehearsals, and Phyllida Lloyd stepped in to try to tame The Shrew.

And what a play for the all-woman company to choose. This is the comedy that has the wayward Kate so brought to heel by the domineering Petruchio that she urges others of her sex to place their hands beneath their husbands'...

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This section contains 488 words
(approx. 2 pages at 300 words per page)
Buy the Critical Review by Sarah Hemming
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Critical Review by Sarah Hemming from Gale. ©2005-2006 Thomson Gale, a part of the Thomson Corporation. All rights reserved.