The Taming of the Shrew | Criticism

This literature criticism consists of approximately 3 pages of analysis & critique of The Taming of the Shrew.

The Taming of the Shrew | Criticism

This literature criticism consists of approximately 3 pages of analysis & critique of The Taming of the Shrew.
This section contains 589 words
(approx. 2 pages at 300 words per page)
Buy the Critical Review by Elysa Gardner

SOURCE: Gardner, Elysa. “Princeton Shrew Is a Groovy Kind of Love.” USA Today (15 August 2000): D4.

In the following review, Gardner comments on the retro, 1970s styling and music of Victoria Liberatori's staging of The Taming of the Shrew with the Princeton Repertory Theatre in 2000. Gardner contends that this seemingly odd setting offered an excellent commentary on the play by evoking the sexual revolution and the women's rights movement.

Months after a Broadway revival of Kiss Me, Kate cleaned up at the Tonys, the Princeton Rep Shakespeare Festival has put a new musical spin on The Taming of the Shrew. And it's a way groovy one.

For this new Shrew—which will be performed Thursday, Friday, Saturday and Sunday evenings through Aug. 27, outdoors at Petoranello Gardens—company artistic director Victoria Liberatori enlisted composer Galt MacDermot, best known for scoring the classic hippie musical Hair, to write incidental music.

Quirky...

(read more)

This section contains 589 words
(approx. 2 pages at 300 words per page)
Buy the Critical Review by Elysa Gardner
Copyrights
Gale
Critical Review by Elysa Gardner from Gale. ©2005-2006 Thomson Gale, a part of the Thomson Corporation. All rights reserved.