The Prison in Nineteenth-Century Literature | Criticism

This literature criticism consists of approximately 19 pages of analysis & critique of The Prison in Nineteenth-Century Literature.

The Prison in Nineteenth-Century Literature | Criticism

This literature criticism consists of approximately 19 pages of analysis & critique of The Prison in Nineteenth-Century Literature.
This section contains 5,194 words
(approx. 18 pages at 300 words per page)
Buy the Critical Essay by Robert Shulman

SOURCE: Shulman, Robert. “The Artist in the Slammer: Hawthorne, Melville, and the Prison of Their Times.” Modern Language Studies 14, no. 1 (1984): 79-88.

In the following essay, Shulman explores the theme of society as a prison in American literature, with special focus on the repression of creativity and artists. Shulman argues that authors including Nathaniel Hawthorne, Herman Melville, and Edgar Allan Poe expressed in their writings a sense that even outside of a physical prison, the artist was confined by a particularly American drive toward conformity and sameness.

Prisoners live in enclosed places. They want to get out but if they are in for a long time they work out ways of surviving. They also work out ways of defying the authorities and, if they cannot escape, they at least work out ways of communicating so as to escape detection. In these respects they share common ground with Hawthorne, Melville...

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This section contains 5,194 words
(approx. 18 pages at 300 words per page)
Buy the Critical Essay by Robert Shulman
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Critical Essay by Robert Shulman from Gale. ©2005-2006 Thomson Gale, a part of the Thomson Corporation. All rights reserved.