Susan Howe | Criticism

This literature criticism consists of approximately 24 pages of analysis & critique of Susan Howe.

Susan Howe | Criticism

This literature criticism consists of approximately 24 pages of analysis & critique of Susan Howe.
This section contains 5,793 words
(approx. 20 pages at 300 words per page)
Buy the Critical Essay by Marjorie Perloff

SOURCE: Perloff, Marjorie. “‘Collision or Collusion with History’: Susan Howe's Articulation of Sound Forms in Time.” In Poetic License: Essays on Modernist and Postmodernist Lyric, pp. 297-310. Evanston, Ill.: Northwestern University Press, 1990.

In the following essay, Perloff perceives Howe's verse as a combination of three elements—the historical, the mythic, the linguistic—and informed by “an urgent, if highly individual, feminist perspective.”

Flocks roost before dark Coveys nestle and settle 
Meditation of a world's vast Memory 
Predominance pitched across history Collision or collusion with history 

—Howe, Articulation

The two words are identical except for a single letter: according to the OED [Oxford English Dictionary], collision means “1. The action of colliding or forcibly striking or dashing together; violent encounter of a moving body with another. 2a. The coming together of sounds with harsh effect. 3. fig. Encounter of opposed ideas, interests, etc. clashing, hostile encounter.” Whereas collusion means “Secret agreement...

(read more)

This section contains 5,793 words
(approx. 20 pages at 300 words per page)
Buy the Critical Essay by Marjorie Perloff
Copyrights
Gale
Critical Essay by Marjorie Perloff from Gale. ©2005-2006 Thomson Gale, a part of the Thomson Corporation. All rights reserved.