Duel (film) | Criticism

This literature criticism consists of approximately 17 pages of analysis & critique of Duel (film).

Duel (film) | Criticism

This literature criticism consists of approximately 17 pages of analysis & critique of Duel (film).
This section contains 4,730 words
(approx. 16 pages at 300 words per page)
Buy the Critical Essay by Donald R. Mott and Cheryl McAllister Saunders

SOURCE: Mott, Donald R., and Cheryl McAllister Saunders. “From Television to Feature Films.” In Steven Spielberg, pp. 17-30. Boston, Mass.: Twayne Publishers, 1986.

In the following essay, Mott and Saunders examine Spielberg's early made-for-television movies, noting that the eventual theatrical releases of Duel and The Sugarland Express set certain thematic precedents for Spielberg's subsequent films.

Spielberg made his debut as a television director with a segment of Night Gallery, produced by Universal Television. The episode stars Joan Crawford as a wealthy but blind woman who makes her wish for sight come true by blackmailing a famous eye surgeon, played by Barry Sullivan, into performing an experimental operation. The surgeon is reluctant about the surgery because the results are only temporary. The premise of the show is that the woman will do anything for even a few hours of sight. After the operation, when Crawford removes the bandages at the...

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This section contains 4,730 words
(approx. 16 pages at 300 words per page)
Buy the Critical Essay by Donald R. Mott and Cheryl McAllister Saunders
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Critical Essay by Donald R. Mott and Cheryl McAllister Saunders from Gale. ©2005-2006 Thomson Gale, a part of the Thomson Corporation. All rights reserved.