This section contains 2,320 words (approx. 8 pages at 300 words per page) |
SOURCE: Greenberg, Harvey R. “Indiana Jones and the Last Crusade: Serial Mythmash.” Tikkun 4, no. 5 (September-October 1989): 78-80.
In the following essay, Greenberg explores the influence of the Saturday matinee serials of the 1940s on Indiana Jones and the Last Crusade and the Indiana Jones series as whole, particularly noting elements of covert racism and sexism evinced in the films.
Steven Spielberg desperately wants to recreate ancient legends for enjoyment at the local sixplex. Indiana Jones and the Last Crusade is the third installment of the wildly successful series about the indefatigable archaeologist Indiana Jones, and is Spielberg's latest attempt at Sunset Boulevard mythopoesis. Armed with courage, American know-how, and a bullwhip, Indy once again saves a revered icon of Western culture from despicable foreign plunderers. Spielberg wants Indy to appear as a bigger-than-life reinvention of a matinee serial hero from the forties, acting out a saga with overtones of...
This section contains 2,320 words (approx. 8 pages at 300 words per page) |