Company (musical) | Criticism

This literature criticism consists of approximately 16 pages of analysis & critique of Company (musical).

Company (musical) | Criticism

This literature criticism consists of approximately 16 pages of analysis & critique of Company (musical).
This section contains 4,269 words
(approx. 15 pages at 300 words per page)
Buy the Critical Essay by Eugene K. Bristow and J. Kevin Butler

SOURCE: Bristow, Eugene K., and J. Kevin Butler. “Company, About Face!: The Show That Revolutionized the American Musical.” American Music 5, no. 3 (fall 1987): 241-54.

In the following essay, Bristow and Butler provide a thematic and stylistic examination of Company and appraise its place in American musical theater.

Opening in April 1970, Company achieved a Broadway run of 690 performances, winning almost all Tony awards: best musical, director, designer, choreographer, author, lyricist-composer. It sent out a road company and later played in London. Aided by the brilliant choreography of Michael Bennett, by an exceptional cast, and by Boris Aronson's single, high-rise apartment setting complete with working elevators, the show was shaped essentially by three persons: George Furth, who wrote the book; Stephen Sondheim, who composed both music and lyrics; and Harold Prince, who directed the whole production.

George Furth, the youngest of the three (b. 1932), had written a script intended for production...

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This section contains 4,269 words
(approx. 15 pages at 300 words per page)
Buy the Critical Essay by Eugene K. Bristow and J. Kevin Butler
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Critical Essay by Eugene K. Bristow and J. Kevin Butler from Gale. ©2005-2006 Thomson Gale, a part of the Thomson Corporation. All rights reserved.