This section contains 4,502 words (approx. 16 pages at 300 words per page) |
SOURCE: “To Turn Again,” in Parnassus, Vol. 21, Nos. 1–2, 1996, pp. 215–29.
In the following positive review of Passing Through, Yezzi provides an analysis of recurring “key images” and archetypes in Kunitz's poetry and comments favorably on Kunitz's effort to construct a “personal mythology.”
When asked by Christopher Busa in The Paris Review interview if he felt differently about translating the poems of Baudelaire, whom he could never know personally, than about translating the work of various contemporary poets, Stanley Kunitz replied “I know Baudelaire too.” Taken literally, Kunitz's contention might set a more speculative imagination to flights of wild conjecture. (“All poets are contemporaries,” he has said.) Think of the possible combinations of acquaintance that such time travel would allow. What species of exquisite naughtiness could Hart Crane and John Wilmot hatch, left to their own devices in the Ramble in Central Park? Allen Ginsberg would not think it strange...
This section contains 4,502 words (approx. 16 pages at 300 words per page) |