Simon Schama | Criticism

This literature criticism consists of approximately 5 pages of analysis & critique of Simon Schama.

Simon Schama | Criticism

This literature criticism consists of approximately 5 pages of analysis & critique of Simon Schama.
This section contains 1,212 words
(approx. 5 pages at 300 words per page)
Buy the Critical Review by Richard E. Spear

SOURCE: “Picturing Himself,” in Washington Post Book World, November 28, 1999, p. 5.

In the following review of Rembrandt's Eyes, Spear praises Schama's “wonderful evocations of history and art” but finds flaws in the book's “unconvincing” thesis.

Reflecting on Rembrandt's career, Andries Pels, a 17th-century dramatist, concluded that his fellow Dutchman was “the first heretic in painting.” “What a shame for the sake of art,” Pels lamented, “that so able a hand made no better use of his inborn gifts.”

Simon Schama, a cultural historian at Columbia University and author of books including Landscape and Memory and Citizens, makes wonderful use of his own able hand and inborn gifts to bring to life Rembrandt's career as well as that of his contemporary Peter Paul Rubens. Rembrandt's Eyes, whose title refers to the important role that eyes, sight and blindness play in the master's imagery, is three books in one: detailed biographies...

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This section contains 1,212 words
(approx. 5 pages at 300 words per page)
Buy the Critical Review by Richard E. Spear
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Critical Review by Richard E. Spear from Gale. ©2005-2006 Thomson Gale, a part of the Thomson Corporation. All rights reserved.