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SOURCE: Kermode, Frank. “Shakespeare's Silences.” In Surprised by Scenes: Essays in Honor of Professor Yasunari Takahashi, edited by Yasunari Takada, pp. 16-26. Tokyo: Kenkyusha, 1994.
In the following essay, Kermode evaluates the conjunction of speech and silence in Shakespeare's plays, with special reference to the way in which speechlessness can be a form of eloquence.
It does not do to neglect Shakespeare's access to proverbial wisdom, or to forget that it sometimes merges with his rhetorical resources. And there is an immense amount of proverbial lore concerning silence. It gives consent. It never did man harm. It is prudent and useful: nihil silentio utilius. According to the most consulted of all rhetorical treatises, the Ad Herennium (III. xii. 21), until about 1500 erroneously attributed to Cicero, it is better to be silent than to speak on any subject, unless you know all about that subject or are being compelled to speak...
This section contains 4,129 words (approx. 14 pages at 300 words per page) |