This section contains 7,409 words (approx. 25 pages at 300 words per page) |
SOURCE: Rovine, Harvey. “Silence as Confrontation.” In Silence in Shakespeare: Drama, Power, and Gender, pp. 53-69. Ann Arbor: UMI Research Press, 1987.
In the following essay, Rovine associates the silence of male characters in Shakespeare's comedies with their social alienation, and the silence of men in the tragedies and histories with a variety of motives—including antagonism, treachery, and a desire to influence or control the actions of others.
Whereas the silence of women often implies a passive acceptance of circumstances or a faith that events will turn out for the best, the silence of men can be more purposeful. Men's silence can show loyalty, service, antagonism, confrontation or enmity. Perhaps the reason for the difference is that the women's world is largely confined to domestic relationships with usually strong men which often leads the female characters to a silence of acceptance. Men have a wider range of roles...
This section contains 7,409 words (approx. 25 pages at 300 words per page) |