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SOURCE: Bjorklund, Beth. Review of Schwingrasen, by Sarah Kirsch. World Literature Today 66, no. 4 (autumn 1992): 718.
In the following review, Bjorklund comments favorably on the lyricism, ambiguity, and pastoral quality of Kirsch's prose in Schwingrasen.
Schwingrasen is an archaic word for “moor,” a poetic place par excellence. The short prose pieces collected under that title serve as reconfirmation of Sarah Kirsch's reputation as one of Germany's best living poets. Her prose style is not greatly different from that of the poetry; both live from the originality of perspective and the freshness of voice. The lyric “I” speaks in a conversational tone, as if carrying on a dialogue with the self; and the absence of self-consciousness allows the speaker to experience the world phenomenally, as if for the first time. The lyric voice is laconic, at times ironic, and it thrives on understatement and a dry sort of humor. The topics...
This section contains 583 words (approx. 2 pages at 300 words per page) |