Salinger's story, "For Esmé—with Love and Squalor," has been anthologized, selected as his best story, and in general accorded the high point of his as yet beginning career. And the attention that has been given to Esmé is warranted, for it juxtaposes in one story two of Salinger's major theses, love and squalor, in one of his favorite subjects, children: Esmé, the distillation of squalor, of people who are, according to the choir director in the story, "silly-billy parrots" if they sing without knowing the meaning of the words; and Charles, Esmé's five year old brother, the epitome of love. Not all critics agree, but I should like to suggest, contrary to some recent interpretations, that it is Charles, rather than Esmé, who is the key to the story. It is his riddle of what one wall says to another: "Meetcha at the corner," which is...