Stripped of the heavy riddles, which it quickly is, [Set on Edge] turns out to be the story of a love-hate relationship between a Jewish mother and daughter somewhere in the provinces and down the years. Long-suffering Gladys is finally found a husband, but he dies on their honeymoon. Eccentric brothers and sisters-in-law nip in and out of the central tangle. No one is endearing in this packed, sharply written novel; in places, the spleen almost bursts its deft stitching. It leaves a bad taste in the head and the question: 'Why?' But several incidents of Bernice Rubens 192?– Photograph by Mark Gersoncruel, precise observation promise one that Miss Rubens will write a better, possibly a very good, book now this one's out.

John Coleman, "Murals and Miniatures," in The Spectator, Vol. 205, No. 6913, December 23, 1960, p. 1022.∗