The most convincing stories in Leon Rooke's uneven collection ["The Broad Back of the Angel"] are those with a first person narrator. In "Wintering in Victoria" the composure with which the abandoned husband recounts his wife's madness is itself maddening. The angry female narrator of "Dangerous Woman" fills her story with resentful descriptions of the laundromat to the deliberate exclusion of two characters who demand her attention. And because a narrator constructs himself in telling his story, the crippled teller of the title story is the most compelling. His deformity finally becomes an incident in the story, as the narrator shapes his figurative anatomy into a figurative triumph over the zany life he has been passively witnessing….

I get the feeling that Rooke is a more conventional writer than he would like to be. The humor of, say, the wife's list of things she hates about her husband...