SOURCE: Abrams, M. H. “Romantic Analogues of Art and Mind.” In The Mirror and the Lamp: Romantic Theory and the Critical Tradition, pp. 47-69. New York: Oxford University Press, 1953.

In the following excerpt, Abrams provides an overview of Romantic aesthetic theory, explaining how it differs from earlier criticism.

‘Didn't I tell you so?’ said Flask; ‘yes, you'll soon see this right whale's head hoisted opposite that parmacetti's.’

In good time, Flask's saying proved true. As before, the Pequod steeply leaned over towards the sperm whale's head, now, by the counterpoise of both heads, she regained her even keel though sorely strained, you may well believe. So, when on one side you hoist in Locke's head, you go over that way; but now, on the other side, hoist in Kant's and you come back again; but in very poor plight.

Melville, Moby-Dick

Poetry is the spontaneous overflow of powerful...