Again [in La Collectionneuse] Rohmer gives us a protagonist who becomes interested in a younger woman and ends up with an older woman to whom he was linked originally. Again passion is more examined and discussed than created. Rohmer is more interested in the effect of desire on thought and action than in the creation of heat….

He provides the extra dividend of all extraordinary film makers: the sense that an artist has made the medium his own, shaped it to his psyche and inquiries. In this case the tone is reflective and quiet—but only superficially quiet. (p. 55)

In Claire's Knee, a mature man's fancies about a nearly juvenile girl were distilled almost to disembodiment by his fantasy about her knee. Here the prologue tells us that Haydée's body is the figurative theater of this story and that intercourse, not fantasy, is the dynamics. I don't...