[Trina Robbins] has gained a reputation as the foremost female creator of underground comics. She had some success in Gothic Blimp Works with Panthea, a creature half lady and half lion who was transported from Africa with painful results. The somewhat submerged concern for feminist principles which this series suggested was to emerge in 1970, when Trina became the principal contributor to It Ain't Me Babe, the first comic book devoted exclusively to Women's Liberation. The cover, which featured renderings of Sheena, Wonder Woman, and Mary Marvel, suggested how much comic book fantasies have done to provide images suitable to a new view of women and her place in the world. (p. 176)

Les Daniels, "Underground Comics," in his Comix: A History of Comic Books in America (copyright © 1971 by Les Daniels and Mad Peck Studios; reprinted by permission of the publisher, E. P. Dutton, Inc.), Outerbridge & Dienstfrey, 1971, pp. 165-80.∗