SOURCE: "Three into One: Plotting and Epistolary Technique," in Clarissa's Plots, University of Delaware Press, 1994, pp. 141-57.

In the following excerpt, Bueler describes various plotcombining techniques used in Clarissa, including the sharing of characters and events throughout the novel's three plots, and the use of dramatic elements in letters exchanged between characters.

[Elsewhere] I have focused in turn on Richardson's three received plots—the Tested Woman Plot, the Don Juan Plot, and the Prudence Plot—in order to sketch the inherent logic of each and Richardson's most significant ways with it. But what makes Clarissa is their combination, and my focus in this chapter is the integrative technique. Richardson's most powerful effects would be impossible without the plot interactions he is able to pull off. The custom-made temptation of his heroine, for instance. Unlike the standardized and perfunctory seductions faced by most tested women, Clarissa's temptation is masterfully...