Richard Pryor | Criticism

This literature criticism consists of approximately 2 pages of analysis & critique of Richard Pryor.

Richard Pryor | Criticism

This literature criticism consists of approximately 2 pages of analysis & critique of Richard Pryor.
This section contains 497 words
(approx. 2 pages at 300 words per page)
Buy the Critical Essay by Tom Carson

Bill Cosby may rent his smile to Ford while Dick Gregory retreats into sanctimonious oblivion, but Pryor is still a defiant, freakily incorrigible survivor—someone who's far too strung out on his own funky, rage-filled wavelength to even consider going respectable. His new, live double [album], Wanted (a reference to the legal and personal hassles that practically put him out of action last year), shows him to be top banana.

Though Pryor's raps are as unstructured as Steve Martin's, his high-flying, cheerfully scabrous style keeps the listener moving too fast to notice. Some introductory remarks to the audience segue into a routine on white obscenity versus black obscenity—Pryor's impersonations of white voices are deadly accurate, absolutely hilarious—that then turns into a skit about Andrew Young walking into the Oval Office with his cock in his hand ("'Scuse me, Mrs. Carter…." "Oh, that's all right."). This comic...

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This section contains 497 words
(approx. 2 pages at 300 words per page)
Buy the Critical Essay by Tom Carson
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Critical Essay by Tom Carson from Gale. ©2005-2006 Thomson Gale, a part of the Thomson Corporation. All rights reserved.