This section contains 516 words (approx. 2 pages at 300 words per page) |
I keep nursing this love-hate attitude toward Led Zeppelin. Partly from genuine interest and mostly indefensible hopes, in part from the conviction that nobody that crass could be all that bad, I turn to each fresh album expecting—what? Certainly not subtle echoes of the monolithic Yardbirds, or authentic blues experiments, or even much variety. Maybe it's just that they seem like the ultimate Seventies Calf of Gold.
The Zep, of all bands surviving, are today—their music is as ephemeral as Marvel comix, and as vivid as an old Technicolor cartoon. It doesn't challenge anybody's intelligence or sensibilities, relying instead on a pat visceral impact that will insure absolute stardom for many moons to come. Their albums refine the crude public tools of all dull white blues bands into something awesome in its very insensitive grossness, like a Cecil B. DeMille epic. If I rely so much...
This section contains 516 words (approx. 2 pages at 300 words per page) |